Breathing Exercises - Safe and Effective

Begin this exercise by spreading both hands, fingers together, but thumbs spread apart from the fingers. The next step is to place the fingers over the upper abdomen just below where the ribs meet. Be sure the fingers are pointing forward and toward the center of the body and the thumbs are pointing backward on the lower ribs just below where the diaphragm is located. Then you'll want to breathe in and out deeply and very slowly while making a little ‘wind' noise. If the hands are moving in and out with each breath, that will be an indication that you are breathing properly.

For some students, a good secondary feedback is to make a little audible breath noise when breathing. This will increase awareness of the breath as it enters and leaves the body and will help encourage deeper, yet more subdued breathing, allowing them to connect the breath to the actions that they are feeling in their abdomen, lower ribs and back. To get the desired feedback, do not make a whistling, sighing noise or gesture that causes the shoulders to rise and the ribs to expand and then collapse, as this will inhibit a good relationship between the body and the larynx resulting in undo tension.

Performing this exercise allows you to feel the expansion of the epigastric region, the area between the bottom of the sternum and the navel extending outward to the lower part of the rib cage on each side as you inhale. Initially, this feeling of expansion and movement of the lower ribs may be very slight and difficult to notice. If the hands are not moving visibly in and out during this exercise, you are most likely not using your support muscles correctly or not inhaling as deeply and fully as necessary. The best advice is to keep repeating the exercise, and over time you'll be able to more easily achieve the desired results. It is important to remember, the movement should always be a comfortable and natural act. Forcibly expanding the abdominal wall may cause a number of actions that can diminish lung volume and contribute to the rate of rising subglottic pressure.

Sometimes when a singer feels he or she is not using her breath properly, they will place their hand on their upper abdomen while performing. The hand on the diaphragm serves as a reminder to focus on that area of the body. Many students find that actually keeping both hands on the abdomen during Singing Lessons is a great way to stay focused until breathing correctly becomes second nature.

Another way to measure whether or not you're using your muscles correctly is to perform this exercise in front of a mirror. What you're looking for is to make sure your chest and shoulders do not rise. As the lungs fill up with air and expand there may be some subtle movement, but there should not be any excessive chest displacement and the rib cage should not collapse between breaths. This can be avoided by breathing deeply, yet naturally and feel the muscles in your back and abdomen ‘supporting' the diaphragm's movements. Any tension building up in your jaw, neck or chest is a sign that you are forcing the issue and need to maintain a sense of relaxation.

When you first begin any new exercise regimen, it is expected that you will experience some tiredness or mild strain as the muscles are being worked. This is also true when beginning a breathing exercise program. That is to say if you are properly exercising the intercostal muscles, those that wrap around the rib cage, between the ribs themselves, you should notice that same kind of ‘tiredness'. Over time your muscles will become stronger and it will feel much more natural to breathe correctly while singing.

This type of exercise can be augmented by making audible breath noises to increase awareness of the breath as it enters and leaves the body. However, since silent breath renewals are necessary during singing tasks they need to be practiced. In the event that a singer is a noisy breather or they are unable to breathe low enough into the body due to a poorly prepared vocal tract, it is recommended they try nose breathing. The objective of nose breathing is to slow down the pace at which the singer fills up his or her lungs to capacity. This allows the singer to maintain the gesture of inhalation over a longer period of time, which in turn ideally positions the vocal tract, the larynx and the musculature of the abdominal wall.

It is essential that this pacing of inhalation or ‘breath-pacing' be perfected if a singer hopes to be able to regulate their air efficiently. By pacing the breath intake, the singer will learn how to equal the amount of air taken in during breath renewals to the amount of air required to perform any given vocal task. This will also help the singer take in air at regular intervals and help him or her avoid unsteady breathing throughout the breath cycle. In time, this will eliminate the singers need to “gasp for air' during quick breath renewals, or inhale excessively or hold the breath in advance of the next phrase.